Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid

Woodcarving is a cottage industry for the Malays in ancient times and it is one of the tangible heritages that should be preserving and sustained. Unfortunately, it is not widespread and only covers the states on the East Coast as Kelantan, Terengganu and Pahang. Traditional Malay woodcarving depict...

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Main Authors:	Abu Hassan, Nuratikah, Amin, Ponirin, Tohid, Suhaimi
Format:	Conference or Workshop Item
Language:	English
Published:	2016
Subjects:	N Visual arts (General) Arts and crafts movement Woodwork
Online Access:	http://ir.uitm.edu.my/id/eprint/19932/ http://ir.uitm.edu.my/id/eprint/19932/1/PRO_NURATIKAH%20ABU%20HASSAN%20M%2016.pdf

id	uitm-19932
recordtype	eprints
spelling	uitm-199322018-09-21T09:35:14Z http://ir.uitm.edu.my/id/eprint/19932/ Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid Abu Hassan, Nuratikah Amin, Ponirin Tohid, Suhaimi N Visual arts (General) Arts and crafts movement Woodwork Woodcarving is a cottage industry for the Malays in ancient times and it is one of the tangible heritages that should be preserving and sustained. Unfortunately, it is not widespread and only covers the states on the East Coast as Kelantan, Terengganu and Pahang. Traditional Malay woodcarving depicts the Malay concept of beauty, which governs seven basic principles, like spiritualism or mysticism, unity, symbolism, refinement, and flexibility. Furthermore, this study is to identify the Malay traditional woodcarving motifs in visual artworks based on interpretations of Malay aesthetic principles and elements in order to proven that the motifs is represent the Malay aesthetic concept. The various selected samples of artworks has been identify and analysed used a theory of Malay beauty concept by Zakaria Ali (1989). Qualitative methods are applied in this study and it based on the process of gather the data analysis form the literature within Malay aesthetic context and interlinking it to the visual analysis artwork. Indeed, the outcome of this study the motifs in the visual artworks which have represent a Malay aesthetic and it will sustain the uniqueness of Malay art in Malaysia for the next generations to appreciate it. 2016 Conference or Workshop Item PeerReviewed text en http://ir.uitm.edu.my/id/eprint/19932/1/PRO_NURATIKAH%20ABU%20HASSAN%20M%2016.pdf Abu Hassan, Nuratikah and Amin, Ponirin and Tohid, Suhaimi (2016) Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid. In: Empowering Local Mind In Art Design & Cultural Herritage 3rd ISME International Colloquium 2016, 27 & 28 December 2016, Universiti Teknologi MARA, Melaka.
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Teknologi MARA
building	UiTM Institutional Repository
collection	Online Access
language	English
topic	N Visual arts (General) Arts and crafts movement Woodwork
spellingShingle	N Visual arts (General) Arts and crafts movement Woodwork Abu Hassan, Nuratikah Amin, Ponirin Tohid, Suhaimi Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
description	Woodcarving is a cottage industry for the Malays in ancient times and it is one of the tangible heritages that should be preserving and sustained. Unfortunately, it is not widespread and only covers the states on the East Coast as Kelantan, Terengganu and Pahang. Traditional Malay woodcarving depicts the Malay concept of beauty, which governs seven basic principles, like spiritualism or mysticism, unity, symbolism, refinement, and flexibility. Furthermore, this study is to identify the Malay traditional woodcarving motifs in visual artworks based on interpretations of Malay aesthetic principles and elements in order to proven that the motifs is represent the Malay aesthetic concept. The various selected samples of artworks has been identify and analysed used a theory of Malay beauty concept by Zakaria Ali (1989). Qualitative methods are applied in this study and it based on the process of gather the data analysis form the literature within Malay aesthetic context and interlinking it to the visual analysis artwork. Indeed, the outcome of this study the motifs in the visual artworks which have represent a Malay aesthetic and it will sustain the uniqueness of Malay art in Malaysia for the next generations to appreciate it.
format	Conference or Workshop Item
author	Abu Hassan, Nuratikah Amin, Ponirin Tohid, Suhaimi
author_facet	Abu Hassan, Nuratikah Amin, Ponirin Tohid, Suhaimi
author_sort	Abu Hassan, Nuratikah
title	Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_short	Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_full	Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_fullStr	Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_full_unstemmed	Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid
title_sort	malay aesthetic concept through malay woodcarving motifs in visual artworks / nuratikah abu hassan, ponirin amin and suhaimi tohid
publishDate	2016
url	http://ir.uitm.edu.my/id/eprint/19932/ http://ir.uitm.edu.my/id/eprint/19932/1/PRO_NURATIKAH%20ABU%20HASSAN%20M%2016.pdf
first_indexed	2023-09-18T23:03:36Z
last_indexed	2023-09-18T23:03:36Z
_version_	1777418336082067456

Malay aesthetic concept through malay woodcarving motifs in visual artworks / Nuratikah Abu Hassan, Ponirin Amin and Suhaimi Tohid

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