The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah

Malay films that directly brought up the questions of Islam in Malaysia are produced in varieties of genres and are different. Based on the Malay film genre from the 2005-2010 statistics, there are only a few films that embed the elements of religion in the movie directly. The religious genre kind o...

Full description

Bibliographic Details
Main Author:	Rosmawati Mohamad Rasit
Format:	Article
Language:	English
Published:	Universiti Kebangsaan Malaysia 2012
Online Access:	http://journalarticle.ukm.my/6763/ http://journalarticle.ukm.my/6763/ http://journalarticle.ukm.my/6763/1/25-76-2-PB.pdf

id	ukm-6763
recordtype	eprints
spelling	ukm-67632016-12-14T06:42:08Z http://journalarticle.ukm.my/6763/ The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah Rosmawati Mohamad Rasit, Malay films that directly brought up the questions of Islam in Malaysia are produced in varieties of genres and are different. Based on the Malay film genre from the 2005-2010 statistics, there are only a few films that embed the elements of religion in the movie directly. The religious genre kind of films from the Western movie producers like to expose issues on god and Christianity. This can be seen from the films like The Ten Commandments (1956), The Passion of Christ (2004), Leap of Faith (1992), Da Vinci Code (2006) and 2012 (2009). Nevertheless Islamic cinemas such as in Indonesia and Iran have never stopped in making and producing religious films as to show their struggle towards the missionary cause of the new millennium by producing movies like Dalam Mihrab Cinta (In Mihrab Love) (2010), Ketika Cinta Bertasbih 1&2 (When Love Says A Prayer) (2009), Emak Ingin Naik Haji (Mother Wants to Perform Haj) (2009), Children of Heaven (1997) and The Song of Sparrows (2008). In the effort to vary the medium of Da’wah, the film is seen as a new and influential way that can be explored. Therefore, this article is looking at the importance of discussing the position of religious Malay films in Malaysia as seen as the contributory factor in its role towards the medium of preaching of Islamic Da’wah. Universiti Kebangsaan Malaysia 2012 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/6763/1/25-76-2-PB.pdf Rosmawati Mohamad Rasit, (2012) The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah. Al-Hikmah, 4 . pp. 148-160. ISSN 1985--6822 http://spaj.ukm.my/jalhikmah/jalhikmah/index
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Kebangasaan Malaysia
building	UKM Institutional Repository
collection	Online Access
language	English
description	Malay films that directly brought up the questions of Islam in Malaysia are produced in varieties of genres and are different. Based on the Malay film genre from the 2005-2010 statistics, there are only a few films that embed the elements of religion in the movie directly. The religious genre kind of films from the Western movie producers like to expose issues on god and Christianity. This can be seen from the films like The Ten Commandments (1956), The Passion of Christ (2004), Leap of Faith (1992), Da Vinci Code (2006) and 2012 (2009). Nevertheless Islamic cinemas such as in Indonesia and Iran have never stopped in making and producing religious films as to show their struggle towards the missionary cause of the new millennium by producing movies like Dalam Mihrab Cinta (In Mihrab Love) (2010), Ketika Cinta Bertasbih 1&2 (When Love Says A Prayer) (2009), Emak Ingin Naik Haji (Mother Wants to Perform Haj) (2009), Children of Heaven (1997) and The Song of Sparrows (2008). In the effort to vary the medium of Da’wah, the film is seen as a new and influential way that can be explored. Therefore, this article is looking at the importance of discussing the position of religious Malay films in Malaysia as seen as the contributory factor in its role towards the medium of preaching of Islamic Da’wah.
format	Article
author	Rosmawati Mohamad Rasit,
spellingShingle	Rosmawati Mohamad Rasit, The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah
author_facet	Rosmawati Mohamad Rasit,
author_sort	Rosmawati Mohamad Rasit,
title	The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah
title_short	The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah
title_full	The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah
title_fullStr	The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah
title_full_unstemmed	The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah
title_sort	position of religious malays films in malaysia from the perspectives of islamic da’wah
publisher	Universiti Kebangsaan Malaysia
publishDate	2012
url	http://journalarticle.ukm.my/6763/ http://journalarticle.ukm.my/6763/ http://journalarticle.ukm.my/6763/1/25-76-2-PB.pdf
first_indexed	2023-09-18T19:47:48Z
last_indexed	2023-09-18T19:47:48Z
_version_	1777406017534951424

The position of religious malays films in Malaysia from the perspectives of Islamic Da’wah

Similar Items