LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics

One of the concerns of Cognitive Poetic critics has been with the issue of how literary authors make meaning by means of metaphor. Building on the Cognitive Linguistic theories of metaphor, the field of Cognitive Poetics has been concerned, among its many diverse areas, with the studying of metaph...

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Main Authors: Ghaeli, Rosa, Pirnajmuddin, Hossein
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2016
Online Access:http://journalarticle.ukm.my/10693/
http://journalarticle.ukm.my/10693/
http://journalarticle.ukm.my/10693/1/8989-39658-1-PB.pdf
id ukm-10693
recordtype eprints
spelling ukm-106932017-10-02T00:00:46Z http://journalarticle.ukm.my/10693/ LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics Ghaeli, Rosa Pirnajmuddin, Hossein One of the concerns of Cognitive Poetic critics has been with the issue of how literary authors make meaning by means of metaphor. Building on the Cognitive Linguistic theories of metaphor, the field of Cognitive Poetics has been concerned, among its many diverse areas, with the studying of metaphor in literary texts. Proposing the Conceptual Metaphor Theory (CMT), cognitive linguists George Lakoff and Mark Johnson argued in Metaphors We Live By that our conceptual system is metaphorically shaped. In addition, they claimed that the metaphoric linguistic expressions are the manifestation of the fundamental conceptual metaphors forming individuals' cognitions. Conceptual metaphors were defined as the underlying structures of these expressions by means of which people comprehend intangible concepts through more tangible ones. Using the Conceptual Metaphor Theory (CMT), the present essay explores the conceptual metaphor of LIFE IS A PLAY in David Mamet's Sexual Perversity in Chicago and Glengarry Glen Ross. In these plays, Mamet depicts a world in which performance, in its theatrical sense, becomes the characters' survival strategy and a manner of living. As one of the most influential playwrights of his time, Mamet has always been concerned with the issues which most afflict America. He finds the ills of his society manifested in the relation among people. An attempt is made to explain the ways in which life-as-play finds expression both linguistically and thematically in the different contexts of these works. Penerbit Universiti Kebangsaan Malaysia 2016 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/10693/1/8989-39658-1-PB.pdf Ghaeli, Rosa and Pirnajmuddin, Hossein (2016) LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 22 (2). pp. 67-79. ISSN 0128-5157 http://ejournal.ukm.my/3l/issue/view/807
repository_type Digital Repository
institution_category Local University
institution Universiti Kebangasaan Malaysia
building UKM Institutional Repository
collection Online Access
language English
description One of the concerns of Cognitive Poetic critics has been with the issue of how literary authors make meaning by means of metaphor. Building on the Cognitive Linguistic theories of metaphor, the field of Cognitive Poetics has been concerned, among its many diverse areas, with the studying of metaphor in literary texts. Proposing the Conceptual Metaphor Theory (CMT), cognitive linguists George Lakoff and Mark Johnson argued in Metaphors We Live By that our conceptual system is metaphorically shaped. In addition, they claimed that the metaphoric linguistic expressions are the manifestation of the fundamental conceptual metaphors forming individuals' cognitions. Conceptual metaphors were defined as the underlying structures of these expressions by means of which people comprehend intangible concepts through more tangible ones. Using the Conceptual Metaphor Theory (CMT), the present essay explores the conceptual metaphor of LIFE IS A PLAY in David Mamet's Sexual Perversity in Chicago and Glengarry Glen Ross. In these plays, Mamet depicts a world in which performance, in its theatrical sense, becomes the characters' survival strategy and a manner of living. As one of the most influential playwrights of his time, Mamet has always been concerned with the issues which most afflict America. He finds the ills of his society manifested in the relation among people. An attempt is made to explain the ways in which life-as-play finds expression both linguistically and thematically in the different contexts of these works.
format Article
author Ghaeli, Rosa
Pirnajmuddin, Hossein
spellingShingle Ghaeli, Rosa
Pirnajmuddin, Hossein
LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics
author_facet Ghaeli, Rosa
Pirnajmuddin, Hossein
author_sort Ghaeli, Rosa
title LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics
title_short LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics
title_full LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics
title_fullStr LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics
title_full_unstemmed LIFE IS A PLAY: reading David Mamet's sexual perversity in Chicago and Glengarry Glen Ross through Cognitive Poetics
title_sort life is a play: reading david mamet's sexual perversity in chicago and glengarry glen ross through cognitive poetics
publisher Penerbit Universiti Kebangsaan Malaysia
publishDate 2016
url http://journalarticle.ukm.my/10693/
http://journalarticle.ukm.my/10693/
http://journalarticle.ukm.my/10693/1/8989-39658-1-PB.pdf
first_indexed 2023-09-18T19:58:13Z
last_indexed 2023-09-18T19:58:13Z
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