Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar

In order for composers to fully express their piece of music, they will need a medium to complete their work. This is where the role of performers comes to play. The responsibility of a performer is to understand and preserve the work of a composer so that their interpretations can be captured by th...

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Main Author:	Abu Bakar, Nurfarhana
Format:	Thesis
Language:	English
Published:	2013
Subjects:	Instrumental music Instruments and instrumental music
Online Access:	http://ir.uitm.edu.my/id/eprint/28095/ http://ir.uitm.edu.my/id/eprint/28095/1/TD_NURFARHANA%20ABU%20BAKAR%20MU%2013_5.pdf

id	uitm-28095
recordtype	eprints
spelling	uitm-280952020-02-03T03:56:04Z http://ir.uitm.edu.my/id/eprint/28095/ Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar Abu Bakar, Nurfarhana Instrumental music Instruments and instrumental music In order for composers to fully express their piece of music, they will need a medium to complete their work. This is where the role of performers comes to play. The responsibility of a performer is to understand and preserve the work of a composer so that their interpretations can be captured by the audience in their performance. Many composers tend to shape the musicians' interpretation of their work but however, most of the composers are deceased and can no longer show the insight of the performance of their compositions. In this matter, musical research and hours of practice is very crucial for a performer, not only to deliver the best performance but more important, to conserve the work of the composers. Sadly, the most common error in a performance today lays in the style of a performer's cadenzas nowadays. This problem occur when a performer produce a set of virtuosity that completely change the originality of a composer's era and style. In other words, performers overly improvisations had given a massive effect to the piece, making it less enjoyable and hard to listen by the audiences. Joachim Quantz, writing over two centuries ago, seems to address the current situation: If none are made it is considered a great defeat, even though many performers would conclude their pieces with more credit without them. Meanwhile, all those who occupy themselves with singing or playing solos want to, or must, make cadenzas. And since their nature and proper way to perform them are not well known, the fashion generally becomes a burden (Quantz, 1966). 2013 Thesis NonPeerReviewed text en http://ir.uitm.edu.my/id/eprint/28095/1/TD_NURFARHANA%20ABU%20BAKAR%20MU%2013_5.pdf Abu Bakar, Nurfarhana (2013) Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar. Degree thesis, Universiti Teknologi MARA.
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Teknologi MARA
building	UiTM Institutional Repository
collection	Online Access
language	English
topic	Instrumental music Instruments and instrumental music
spellingShingle	Instrumental music Instruments and instrumental music Abu Bakar, Nurfarhana Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar
description	In order for composers to fully express their piece of music, they will need a medium to complete their work. This is where the role of performers comes to play. The responsibility of a performer is to understand and preserve the work of a composer so that their interpretations can be captured by the audience in their performance. Many composers tend to shape the musicians' interpretation of their work but however, most of the composers are deceased and can no longer show the insight of the performance of their compositions. In this matter, musical research and hours of practice is very crucial for a performer, not only to deliver the best performance but more important, to conserve the work of the composers. Sadly, the most common error in a performance today lays in the style of a performer's cadenzas nowadays. This problem occur when a performer produce a set of virtuosity that completely change the originality of a composer's era and style. In other words, performers overly improvisations had given a massive effect to the piece, making it less enjoyable and hard to listen by the audiences. Joachim Quantz, writing over two centuries ago, seems to address the current situation: If none are made it is considered a great defeat, even though many performers would conclude their pieces with more credit without them. Meanwhile, all those who occupy themselves with singing or playing solos want to, or must, make cadenzas. And since their nature and proper way to perform them are not well known, the fashion generally becomes a burden (Quantz, 1966).
format	Thesis
author	Abu Bakar, Nurfarhana
author_facet	Abu Bakar, Nurfarhana
author_sort	Abu Bakar, Nurfarhana
title	Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar
title_short	Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar
title_full	Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar
title_fullStr	Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar
title_full_unstemmed	Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar
title_sort	principles of improvisation and analysis of johan christoph lauterbach’s cadenza for mozart’s aria l’amero saro costante from opera il re pastore / nurfarhana abu bakar
publishDate	2013
url	http://ir.uitm.edu.my/id/eprint/28095/ http://ir.uitm.edu.my/id/eprint/28095/1/TD_NURFARHANA%20ABU%20BAKAR%20MU%2013_5.pdf
first_indexed	2023-09-18T23:19:35Z
last_indexed	2023-09-18T23:19:35Z
_version_	1777419342046035968

Principles of improvisation and analysis of Johan Christoph Lauterbach’s Cadenza for Mozart’s Aria L’Amero Saro Costante from Opera IL Re Pastore / Nurfarhana Abu Bakar

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