Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon
This research entitled Islamic Calligraphy in Contemporary Art of Malaysia contribute to the most neglected area in the development of the history of art of Malaysia. The combination of three different traditions – Islam, Malay and Western traditions had made significant marks on the form, cont...
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| Format: | Book Section |
| Language: | English |
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Institute of Graduate Studies, UiTM
2012
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| Online Access: | http://ir.uitm.edu.my/id/eprint/19052/ http://ir.uitm.edu.my/id/eprint/19052/1/ABS_NOR%20AZLIN%20HAMIDON%20TDRA%20VOL%201%20IGS%2012.pdf |
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uitm-19052 |
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eprints |
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uitm-190522018-06-07T06:59:25Z http://ir.uitm.edu.my/id/eprint/19052/ Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon Hamidon, Nor Azlin Commercial art. Advertising art This research entitled Islamic Calligraphy in Contemporary Art of Malaysia contribute to the most neglected area in the development of the history of art of Malaysia. The combination of three different traditions – Islam, Malay and Western traditions had made significant marks on the form, content and context of the Islamic calligraphy in the Contemporary Art of Malaysia. The objectives of this study are firstly to document contemporary art works of Malaysia that constitutes of Islamic calligraphy. Secondly, is to establish the styles through formal analysis, in terms of its size, medium, techniques, orientation, shape and type of calligraphy. Thirdly, is to uncover the themes of the calligraphy, the sources of quotation and its meanings. Fourthly, is to discover the underlying factors and forces that influence the production of these art works; and finally, to discern the spiritual manifestation from the art works. This study, which covers contemporary art works of Malaysian artists since 1940’s until 2005, managed to give a better picture on aspects that have been neglected by the art historians regarding Islamic and Western impact on the art of Malaysia. In doing so, the researcher is inclining to the theory of Iconology proposed by Erwin Panofsky that covers three levels of analysis, i.e. the pre-iconographical description, iconological analysis and iconographical interpretation. Institute of Graduate Studies, UiTM 2012 Book Section PeerReviewed text en http://ir.uitm.edu.my/id/eprint/19052/1/ABS_NOR%20AZLIN%20HAMIDON%20TDRA%20VOL%201%20IGS%2012.pdf Hamidon, Nor Azlin (2012) Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon. In: The Doctoral Research Abstracts. IPSis Biannual Publication, 1 . Institute of Graduate Studies, UiTM, Shah Alam. |
| repository_type |
Digital Repository |
| institution_category |
Local University |
| institution |
Universiti Teknologi MARA |
| building |
UiTM Institutional Repository |
| collection |
Online Access |
| language |
English |
| topic |
Commercial art. Advertising art |
| spellingShingle |
Commercial art. Advertising art Hamidon, Nor Azlin Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon |
| description |
This research entitled Islamic Calligraphy in Contemporary
Art of Malaysia contribute to the most neglected area
in the development of the history of art of Malaysia. The
combination of three different traditions – Islam, Malay
and Western traditions had made significant marks on
the form, content and context of the Islamic calligraphy
in the Contemporary Art of Malaysia. The objectives
of this study are firstly to document contemporary art
works of Malaysia that constitutes of Islamic calligraphy.
Secondly, is to establish the styles through formal
analysis, in terms of its size, medium, techniques,
orientation, shape and type of calligraphy. Thirdly, is
to uncover the themes of the calligraphy, the sources
of quotation and its meanings. Fourthly, is to discover
the underlying factors and forces that influence the
production of these art works; and finally, to discern
the spiritual manifestation from the art works. This study,
which covers contemporary art works of Malaysian
artists since 1940’s until 2005, managed to give a better
picture on aspects that have been neglected by the
art historians regarding Islamic and Western impact
on the art of Malaysia. In doing so, the researcher is
inclining to the theory of Iconology proposed by Erwin
Panofsky that covers three levels of analysis, i.e. the
pre-iconographical description, iconological analysis
and iconographical interpretation. |
| format |
Book Section |
| author |
Hamidon, Nor Azlin |
| author_facet |
Hamidon, Nor Azlin |
| author_sort |
Hamidon, Nor Azlin |
| title |
Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon |
| title_short |
Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon |
| title_full |
Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon |
| title_fullStr |
Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon |
| title_full_unstemmed |
Islamic calligraphy in contemporary art of Malaysia / Nor Azlin Hamidon |
| title_sort |
islamic calligraphy in contemporary art of malaysia / nor azlin hamidon |
| publisher |
Institute of Graduate Studies, UiTM |
| publishDate |
2012 |
| url |
http://ir.uitm.edu.my/id/eprint/19052/ http://ir.uitm.edu.my/id/eprint/19052/1/ABS_NOR%20AZLIN%20HAMIDON%20TDRA%20VOL%201%20IGS%2012.pdf |
| first_indexed |
2023-09-18T23:01:44Z |
| last_indexed |
2023-09-18T23:01:44Z |
| _version_ |
1777418218583883776 |