A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir

The legacy of woodcarving inheritance is passed through many generations until today, therefore, it is only logic to preserve and uphold such traditions. An aim to study on the golden proportion in structure design of Malay woodcarving motifs based on interpretations of Malay Aesthetic principles an...

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Bibliographic Details
Main Author:	Abdul Kadir, Sn Sharasayyidah
Format:	Student Project
Language:	English
Published:	Faculty of Education 2014
Subjects:	Arts and crafts. Industries Wood carving Collected designs
Online Access:	http://ir.uitm.edu.my/id/eprint/14629/ http://ir.uitm.edu.my/id/eprint/14629/1/PPb_SN%20SHARASAYYIDAH%20ABDUL%20KADIR%20ED%2014_5.pdf

id	uitm-14629
recordtype	eprints
spelling	uitm-146292016-10-10T04:38:54Z http://ir.uitm.edu.my/id/eprint/14629/ A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir Abdul Kadir, Sn Sharasayyidah Arts and crafts. Industries Wood carving Collected designs The legacy of woodcarving inheritance is passed through many generations until today, therefore, it is only logic to preserve and uphold such traditions. An aim to study on the golden proportion in structure design of Malay woodcarving motifs based on interpretations of Malay Aesthetic principles and elements is being applied the new motifs design to contemporary artwork which is the artwork and installation art. The artist's statement related with a master carver to create the new motif design with interpreting Malay aesthetic principles and elements in their work. Every each woodcarving that artist made has their own golden proportion. So in this finding want to study what is the golden proportion and find out it in three generation of wood carver that researcher choose to study such Wan Mustafa Wan Su, Azizul Ahmad, Jamalias Ismail and many more. . The findings structure motifs are vital in understanding the intricate artworks of woodcarving motifs. In Malay arts, each motif has its own meanings and interpretations especially in Awan Larat Philosophy and Abdullah Mohamed or Nakula statement of woodcarving symbolism. It should be used as guidelines by those who are related in the artwork fields such as the artist creating new design, thus giving meaning and depth to overall artwork, without sacrificing the unique Malay aesthetics and identity. Faculty of Education 2014 Student Project NonPeerReviewed text en http://ir.uitm.edu.my/id/eprint/14629/1/PPb_SN%20SHARASAYYIDAH%20ABDUL%20KADIR%20ED%2014_5.pdf Abdul Kadir, Sn Sharasayyidah (2014) A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir. [Student Project] (Unpublished)
repository_type	Digital Repository
institution_category	Local University
institution	Universiti Teknologi MARA
building	UiTM Institutional Repository
collection	Online Access
language	English
topic	Arts and crafts. Industries Wood carving Collected designs
spellingShingle	Arts and crafts. Industries Wood carving Collected designs Abdul Kadir, Sn Sharasayyidah A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir
description	The legacy of woodcarving inheritance is passed through many generations until today, therefore, it is only logic to preserve and uphold such traditions. An aim to study on the golden proportion in structure design of Malay woodcarving motifs based on interpretations of Malay Aesthetic principles and elements is being applied the new motifs design to contemporary artwork which is the artwork and installation art. The artist's statement related with a master carver to create the new motif design with interpreting Malay aesthetic principles and elements in their work. Every each woodcarving that artist made has their own golden proportion. So in this finding want to study what is the golden proportion and find out it in three generation of wood carver that researcher choose to study such Wan Mustafa Wan Su, Azizul Ahmad, Jamalias Ismail and many more. . The findings structure motifs are vital in understanding the intricate artworks of woodcarving motifs. In Malay arts, each motif has its own meanings and interpretations especially in Awan Larat Philosophy and Abdullah Mohamed or Nakula statement of woodcarving symbolism. It should be used as guidelines by those who are related in the artwork fields such as the artist creating new design, thus giving meaning and depth to overall artwork, without sacrificing the unique Malay aesthetics and identity.
format	Student Project
author	Abdul Kadir, Sn Sharasayyidah
author_facet	Abdul Kadir, Sn Sharasayyidah
author_sort	Abdul Kadir, Sn Sharasayyidah
title	A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir
title_short	A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir
title_full	A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir
title_fullStr	A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir
title_full_unstemmed	A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir
title_sort	study of golden proportion in design structure of malay woodcarving motifs / sn sharasayyidah abdul kadir
publisher	Faculty of Education
publishDate	2014
url	http://ir.uitm.edu.my/id/eprint/14629/ http://ir.uitm.edu.my/id/eprint/14629/1/PPb_SN%20SHARASAYYIDAH%20ABDUL%20KADIR%20ED%2014_5.pdf
first_indexed	2023-09-18T22:52:04Z
last_indexed	2023-09-18T22:52:04Z
_version_	1777417610050142208

A study of golden proportion in design structure of Malay woodcarving motifs / Sn Sharasayyidah Abdul Kadir

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