Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran
Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception...
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| Language: | English |
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UPENA
2006
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| Online Access: | http://ir.uitm.edu.my/id/eprint/11599/ http://ir.uitm.edu.my/id/eprint/11599/1/AJ_GOPALAN%20RAVINDRAN%20JSM%2006.pdf |
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uitm-11599 |
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eprints |
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uitm-115992016-06-06T08:06:23Z http://ir.uitm.edu.my/id/eprint/11599/ Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran Ravindran, Gopalan General special. Including criticism, aesthetics, etc. Film genres. Semiotics. Illusion in motion pictures Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception of reversible subjects and objects. No other film maker bears the imprint of the Pontean view of reversible subjects and objects better than Godard. His approach to film philosophy and film making not only acknowledges the Pontean influence but provides a clear methodological basis for film makers to apply the Pontean phenomenology. UPENA 2006 Article PeerReviewed text en http://ir.uitm.edu.my/id/eprint/11599/1/AJ_GOPALAN%20RAVINDRAN%20JSM%2006.pdf Ravindran, Gopalan (2006) Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran. Jurnal Skrin Malaysia, 3. pp. 155-170. ISSN 1823-1020 |
| repository_type |
Digital Repository |
| institution_category |
Local University |
| institution |
Universiti Teknologi MARA |
| building |
UiTM Institutional Repository |
| collection |
Online Access |
| language |
English |
| topic |
General special. Including criticism, aesthetics, etc. Film genres. Semiotics. Illusion in motion pictures |
| spellingShingle |
General special. Including criticism, aesthetics, etc. Film genres. Semiotics. Illusion in motion pictures Ravindran, Gopalan Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| description |
Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception of reversible subjects and objects. No other film maker bears the imprint of the Pontean view of reversible subjects and objects better than Godard. His approach to film philosophy and film making not only acknowledges the Pontean influence but provides a clear methodological basis for film makers to apply the Pontean phenomenology. |
| format |
Article |
| author |
Ravindran, Gopalan |
| author_facet |
Ravindran, Gopalan |
| author_sort |
Ravindran, Gopalan |
| title |
Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_short |
Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_full |
Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_fullStr |
Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_full_unstemmed |
Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_sort |
merleau-ponty, godard, sobchack and the spatial aesthetics of rashomon / gopalan ravindran |
| publisher |
UPENA |
| publishDate |
2006 |
| url |
http://ir.uitm.edu.my/id/eprint/11599/ http://ir.uitm.edu.my/id/eprint/11599/1/AJ_GOPALAN%20RAVINDRAN%20JSM%2006.pdf |
| first_indexed |
2023-09-18T22:48:15Z |
| last_indexed |
2023-09-18T22:48:15Z |
| _version_ |
1777417369765806080 |