Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design

Kain punca potong (KPP) is a long fabric generally crafted via the ikat technique resulting in square patterns with striped motifs consisting of a decorative limar pattern. Instead of decorative motifs and KPP design, this paper will embark on a discourse on pattern formation style specific to the d...

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Main Authors: Ahmad, Nani Hartina, Shaari, Nazlina, Mohd Ali, Noor Azizi, Abd Latif, Muhammad Pauzi
Format: Article
Language:English
Published: Science & Engineering Research Support Society 2019
Subjects:
Online Access:http://irep.iium.edu.my/77831/
http://irep.iium.edu.my/77831/
http://irep.iium.edu.my/77831/1/FABRIC%20IDENTITY%20IMPLEMENTATION%20OF%20PATTERN%20FORMATION%20INTO%20KPP%20WEAVING%20DESIGN.pdf
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recordtype eprints
spelling iium-778312020-01-24T07:56:50Z http://irep.iium.edu.my/77831/ Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design Ahmad, Nani Hartina Shaari, Nazlina Mohd Ali, Noor Azizi Abd Latif, Muhammad Pauzi AM Museums (General). Collectors and collecting (General) NK3600 Other arts and art industries. Ceramics. Costume. Glass. Glyptic arts. Metalwork. Textiles. Woodwork NK9505 Textiles NX650 Special subjects, characters, persons, religious arts, etc. TT490 Clothing manufacture. Dressmaking. Tailoring Kain punca potong (KPP) is a long fabric generally crafted via the ikat technique resulting in square patterns with striped motifs consisting of a decorative limar pattern. Instead of decorative motifs and KPP design, this paper will embark on a discourse on pattern formation style specific to the design style and pattern composition of KPP motifs, design and use in Malay society. The paper shows that this textile provided some valuable insights into Malay culture and fabric identity. Regarding the Malay textile context, the main issue revolves around local textile‟s Malay fabric identity pattern formation. This issue came to be when it was discovered that other communities lack awareness when it comes to understanding the fabric identity of Malay textiles, let alone its fabric design identity. This paper also provides enhanced deliberation on the use of pattern formation basis inspired by design style consisting of selected motifs and pattern composition to identify the identity of fabric design. The researcher used qualitative approach to identify the attributes of fabric design identity, which included pattern formation and style process. This paper will therefore seek to uncover viable concepts and techniques that passed as feasible guidelines for new designers when incorporating a "distinctive" national identity in their design. For this study, in addition to interviews, fieldwork notes, photography and video documentation, participant observation in the form of a master weaver apprenticeship will aid better understanding of weaving design learning process while participation in design education will provide insights on how design knowledge is transmitted. It also explores the potential of pattern formation style to further develop the identity of fabric design in various design forms, particularly in the field of textile weaving design. Science & Engineering Research Support Society 2019 Article PeerReviewed application/pdf en http://irep.iium.edu.my/77831/1/FABRIC%20IDENTITY%20IMPLEMENTATION%20OF%20PATTERN%20FORMATION%20INTO%20KPP%20WEAVING%20DESIGN.pdf Ahmad, Nani Hartina and Shaari, Nazlina and Mohd Ali, Noor Azizi and Abd Latif, Muhammad Pauzi (2019) Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design. International Journal of Advanced Science and Technology, 28 (16). pp. 491-498. ISSN 2005-4238 E-ISSN 2207-6360 http://sersc.org/journals/index.php/IJAST/article/view/1816/1316
repository_type Digital Repository
institution_category Local University
institution International Islamic University Malaysia
building IIUM Repository
collection Online Access
language English
topic AM Museums (General). Collectors and collecting (General)
NK3600 Other arts and art industries. Ceramics. Costume. Glass. Glyptic arts. Metalwork. Textiles. Woodwork
NK9505 Textiles
NX650 Special subjects, characters, persons, religious arts, etc.
TT490 Clothing manufacture. Dressmaking. Tailoring
spellingShingle AM Museums (General). Collectors and collecting (General)
NK3600 Other arts and art industries. Ceramics. Costume. Glass. Glyptic arts. Metalwork. Textiles. Woodwork
NK9505 Textiles
NX650 Special subjects, characters, persons, religious arts, etc.
TT490 Clothing manufacture. Dressmaking. Tailoring
Ahmad, Nani Hartina
Shaari, Nazlina
Mohd Ali, Noor Azizi
Abd Latif, Muhammad Pauzi
Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design
description Kain punca potong (KPP) is a long fabric generally crafted via the ikat technique resulting in square patterns with striped motifs consisting of a decorative limar pattern. Instead of decorative motifs and KPP design, this paper will embark on a discourse on pattern formation style specific to the design style and pattern composition of KPP motifs, design and use in Malay society. The paper shows that this textile provided some valuable insights into Malay culture and fabric identity. Regarding the Malay textile context, the main issue revolves around local textile‟s Malay fabric identity pattern formation. This issue came to be when it was discovered that other communities lack awareness when it comes to understanding the fabric identity of Malay textiles, let alone its fabric design identity. This paper also provides enhanced deliberation on the use of pattern formation basis inspired by design style consisting of selected motifs and pattern composition to identify the identity of fabric design. The researcher used qualitative approach to identify the attributes of fabric design identity, which included pattern formation and style process. This paper will therefore seek to uncover viable concepts and techniques that passed as feasible guidelines for new designers when incorporating a "distinctive" national identity in their design. For this study, in addition to interviews, fieldwork notes, photography and video documentation, participant observation in the form of a master weaver apprenticeship will aid better understanding of weaving design learning process while participation in design education will provide insights on how design knowledge is transmitted. It also explores the potential of pattern formation style to further develop the identity of fabric design in various design forms, particularly in the field of textile weaving design.
format Article
author Ahmad, Nani Hartina
Shaari, Nazlina
Mohd Ali, Noor Azizi
Abd Latif, Muhammad Pauzi
author_facet Ahmad, Nani Hartina
Shaari, Nazlina
Mohd Ali, Noor Azizi
Abd Latif, Muhammad Pauzi
author_sort Ahmad, Nani Hartina
title Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design
title_short Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design
title_full Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design
title_fullStr Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design
title_full_unstemmed Fabric design identity: implementation of pattern formation into kain punca potong ( KPP ) weaving design
title_sort fabric design identity: implementation of pattern formation into kain punca potong ( kpp ) weaving design
publisher Science & Engineering Research Support Society
publishDate 2019
url http://irep.iium.edu.my/77831/
http://irep.iium.edu.my/77831/
http://irep.iium.edu.my/77831/1/FABRIC%20IDENTITY%20IMPLEMENTATION%20OF%20PATTERN%20FORMATION%20INTO%20KPP%20WEAVING%20DESIGN.pdf
first_indexed 2023-09-18T21:49:44Z
last_indexed 2023-09-18T21:49:44Z
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