From centre to centrifugal dispersion of the maritime ‘Melayu’ culture: modelling the regional reverberations of the medieval Melaka empire
This paper attempts to reconstruct the famed city of Melaka at its height in the 15th and 16th centuries, to its subsequent dispersion in the 17th to 19th centuries. Melaka’s cultural-political influences and impact as a center of the common Melayu based culture and civilisation can be gauged from...
Main Authors: | , |
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Format: | Article |
Language: | English |
Published: |
University of L'Aquila
2019
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Subjects: | |
Online Access: | http://irep.iium.edu.my/76279/ http://irep.iium.edu.my/76279/ http://irep.iium.edu.my/76279/1/599-2297-1-PB.pdf |
Summary: | This paper attempts to reconstruct the famed city
of Melaka at its height in the 15th and 16th centuries, to its subsequent dispersion in the 17th to 19th centuries. Melaka’s cultural-political influences and impact as a center of the common Melayu based culture and civilisation can be
gauged fromits original center in Melaka city as its initial axis of power; which dispersed into surrounding regions. Through visual, cartographic and lithographic sources, the city – before 1511 - is reconstructed and its architecture and core
areas are modelled. Subsequently, after its fall, its
influences was traced as centrifugal forces, which
manifest in terms of cultural and stylistic forms
that expanded beyond the realm of its initial
center and limits of its port city. As its center of
power reconsolidated into surrounding regions;
its infl uence goes beyond the compact Melayu
city and re-consolidated into a transnational regional and cultural powerbase. The paper combines both historical and modelling methods to
demonstrate the essentially ‘Melayu’ or Malay urban-architectural form of the center, and its
survival in terms of a socio-cultural dominion rather than physical city-form. It remained a Malay based yet multilcultural polity which survived
despite changes in its center of power. Its centrifugal dispersion is represented by reverberations
of its architectural stylistic forms in surrounding
regions and its centripetal influence was its cultural force that can still be seen throughout centuries in the sketches, paintings and depictions of urban life, landscape and architecture of the 17th
to the 19th centuries in the South East Asian archipelago region. The paper reflects how forms
of architecture, landscape and urban design are
traces of a common culture and civilisation that
stretches beyond present national borders and
which reflect and resonates with the nature of
a maritime-based culture which is reflective of
a transnational, multi national and multi cultural
nature of a regionally-based nation-state in medieval times. |
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